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Rumsfeld Made Me Do It: Ghosts of Abu Ghraib — Jan 24th 2007

By Karina Longworth



An estimated 30,000 prisoners were executed at Abu Ghraib Prison by Saddam Hussein, their bodies buried in shallow mass graves, and in most cases, all record of their existence erased. Shortly before the 2003 invasion of Iraq, Saddam granted amnesty to all living persons incarcerated at Abu Ghraib. He then used the vacated prison cells to incinerate reams of documents recording the misdeeds that had taken place at the prison.

in Rory Kennedy's documentary Ghosts of Abu Ghraib, both baby-faced grunts and seasoned intelligence professionals describe feeling "haunted" on the grounds of the prison. There were wild dogs digging up corpses, DayGlo portraits of Saddam still adorning the walls, and the pervasive funk of sweat and human feces exacerbated by the 130-degree heat. It was, in short, a climate that sapped soldiers of the ability to exercise rational morality. It's Kennedy's thesis that this climate turned soldiers into the perfect vessels for a defense policy that was willfully defiant of the Geneva Conventions, thus making the Abu Ghraib prisoner abuse scandal possible.

Speaking at the Sundance Film Festival on the morning after Bush's State of the Union address, Kennedy (the daughter of RFK and niece of Senator Ted Kennedy) says she came to the project almost by accident. "I had originally planned to do a very different film, which was more about the nature of people who commit extraordinary acts of evil, and we were looking to genocides to exemplify that. And then I, like so many other people, was really horrified by the photographs that came out of Abu Ghraib. I saw them and found myself asking very similar questions: Who were these people, and what motivated them? Were they the kids next door or were they psychopaths?" When the director asked the soldiers themselves why they had participated in the abuse, they all gave her the same answer: "I did it because I was told to do it.'"

It's not hard to understand why these young men and women would blindly follow orders. One of the solders admits he was "in Algebra II" when he learned of the attacks on the World Trade Center. He's one of several members of the military in the film who say they were inspired to join up by 9/11. Still in their late teens, they all felt compelled to fight for their country's safety and dignity, many without any clue as to where that fight would take them, or what it would entail. One soldier explains his reaction to arriving in Baghdad: "Wow. I'm at war.... Part of you is like, this is cool."

Even after completing tours of duty (and, in many cases, months in prison), many of the former Abu Ghraib guards still look and speak like teenagers. They entered the military prepared to follow orders; they were not in any sense prepared to evaluate those orders in terms of moral or historical context. On that score, the more experienced men and women on the ground were of little help. One soldier recalls asking his commanding officers to specify the rules of engagement.He was told that anyone who "looks like the enemy" should be shot on sight. "I've never been out of the United States," the young soldier says. "Everything looks like the enemy to me."

When the U.S. took over Abu Ghraib for the purpose of detaining "enemy combatants", these inexperienced teenagers were forced into the role of prison guards. There was, as one soldier notes in the film, "no training whatsoever." And since other American units went out every night to round up military-age Iraqis, Abu Ghraib was soon full of detainees. Most of these prisoners had been hauled in almost at random: they had no useful information about Saddam, or about anything else.

Not surprisingly, this became a major source of frustration for military intelligence. In late summer of 2003, General Geoffrey Miller, who had established a system of extreme interrogation techniques at Guantanamo Bay, was sent to Iraq to assess the situation. Miller declared that prisoners were being treated "too well" at Abu Ghraib. After conferring with Secretary of Defense Donald Rumsfeld, the general advised those in charge of the prison to "Gitmoize" it.

"What [Miller] did was transform one portion of the prison, which was known as 'the hard site,' into an interrogation center," explains Kennedy. "That's where they placed the high-value detainees, the so-called terrorists. Then these MPs, who weren't even trained as prison guards in the first place, were brought into the interrogation staff, where they had absolutely no experience. They were told that this is how they were going to save America and fight the War on Terror.... If they didn't do as they were told, they would contribute to terrorism."

So does Kennedy think that the soldiers caught up in the abuse scandal went in with good intentions? "I do," she says vehemently. "I do think that. I don't know about all of them, but I would say absolutely most of them had very good intentions, and went into this war in an effort to protect America. They wanted to fight terrorism, and wanted to save this country, and were thrown into an environment in which they had absolutely no way to navigate." And what about the people who were supposed to be navigating for them? These senior officers were, in Kennedy's words, "engaging in very abusive behavior."

With all available evidence painting a pretty grim picture of the Bush administration's intentions, Kennedy enlisted former Justice Department counsel John Yoo to play the role of devil's advocate. One of the architects of the Patriot Act and a staunch advocate of wartime expansion of presidential power, Yoo has been a fierce defender of the military's right to use extreme interrogation techniques on enemy combatants. In Ghosts, Yoo explains that members of Al Qaeda are not subject to Geneva Convention regulations "because they didn't sign Geneva." Even if they had, says Woo, the treaty's restrictions against torture are "vague." As he sees it, Bush and his administration believed they were following the Geneva Conventions.

"There's a real disconnect," says Kennedy animatedly. "Because the Geneva Conventions say you have to treat people humanely. You can't abuse people, right? And what [had been] authorized was sleep deprivation, stress positions, hooding, nudity. So it's hard for me to imagine anybody interpreting the Geneva Conventions in such a way that would legitimize those techniques. Ultimately, General Ricardo Sanchez did rescind those techniques. But people on the ground were confused about what was authorized and what was not.... There wasn't a clear message down the ranks that they could no longer engage in these techniques."

With The Ghosts of Abu Ghraib, Kennedy hopes to remind viewers that our recent mistakes have grand implications. Beyond Abu Ghraib, she says, the movie "is about America, and who we are, and the policies we're engaged in. It's not just looking back to the Geneva Conventions, in the late 1940s--you can go all the way back to the American Revolution. During that time, George Washington was faced with a similar issue. The British soldiers were treating Americans absolutely horrendously. Washington was asked, 'How do you want to treat the British prisoners?' His answer was, 'Treat them with respect and dignity.' Because if we lose our moral compass, this battle's not worth fighting. And that has been the mission that has dictated American foreign policy for the past 200 years--with the exception of the last six."

Ghosts of Abu Ghraib will premiere on HBO February 22. We'll run the full transcription of my interview with director Rory Kennedy closer to that date.


Tags: documentary, ghosts of abu ghraib, GhostsOfAbuGhraib, hbo, iraq, military, netscape reports, NetscapeReports, prison, rory kennedy, RoryKennedy, sundance, war

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